Monday, November 8, 2010
Let Me In
Watched Hammer's first cinematic release in more than 30 years today, Let Me In, and was pleasantly surprised how well it turned out.
You may recall that I was not a huge fan of the original. Add to that my aversion to English language remakes of foreign productions, and I initially had major misgivings about the new release.
Then something strange happened. People whose opinions I value started raving about the film when they saw it a few weeks ago in the States. And my initial disdain for the idea started to wane and I was actually ever so slightly beginning to look forward to the movie but didn't dare raise my hopes too highly.
The moment I then saw the Hammer logo on the big screen with a collage of their most iconic classic movie posters I felt a small lump in my throat.
The film itself is very similar to Let The Right One In though there are a number of important changes. Most importantly the pacing is much better in the Hammer version. There are longer, more elegiac moments but overall whereas the original seemed to entirely consist of those (often overlong shots), here we have a right mix of slow burn and occasional fast paced.
The characters are also much more believable in Let Me In and don't act as if they're all on valium. Those ludicrous scenes of depressed Swedish people sitting in a bar are gone completely and some of the scenes now are much better directed and truly haunting. There is also one particular scene showing a car accident shot from the perspective of people inside the car that is pretty amazing.
Unfortunately none of the really dark scenes of the source novel made it over - in my interview with Simon Oakes he explains why -, but overall this is a film that New Hammer can be proud of. I would have enjoyed it more if that had been completely new territory but for a remake this was quite first rate and bodes well for future new cinematic releases.
At last we can we can forget about the truly awful Beyond the Rave and instead see the true vision the new producers were having in mind.
Will Hammer ever be the kind of horror power house again with their new productions that fans will fondly remember decades later?
But they are again a major player worth looking out for. And that's fine enough for me.