HAMMER COLLECTORS CRYPT; SUMMER 1981; NO. 27 -
10 months ago
“Christopher Maitland sat back in his chair before the fireplace and fondled the binding of an old book. His thin face, modelled by the flickering firelight, bore a characteristic expression of scholarly preoccupation.
Maitland’s intellectual curiosity was focussed on the volume in his hands. Briefly, he was wondering if the human skin binding this book came from a man, a woman, or a child.
(…) It was nice to have a book bound in a woman’s skin. It was nice to have a crux ansata fashioned from a thigh-bone; a collection of Dyack heads; a shrivelled hand of Glory stolen from a graveyard in Mainz. Maitland owned all these items, and many more. For he was a collector of the unusual.”
"I went out with every big male star in town. They wanted my body and I needed their names for success. There was my picture on the front pages of every paper in the country... Today I live in a rat infested apartment with not a bean to my name and I drink too much Rose wine. I don't like what the scale tells me. The little money I do accumulate to pay the rent comes from old residuals, poetry and favors to men. I love the Negro race and I will accept money only from Negroes. Does it all sound depressing to you? Queasy? Well, I'm not ashamed."
HAMMER TO RE-ENVISION THE ABOMINABLE SNOWMAN
London – 21st November, 2013: President & CEO of Hammer and Vice-Chairman of Exclusive Media, Simon Oakes, announced today that Hammer, an Exclusive Media company, will produce a new version of The Abominable Snowman. The project is being developed by Hammer in association with Ben Holden (The Quiet Ones, The Woman in Black: Angel of Death).
In this modern take on the Yeti myth, a scientific expedition’s illegal ascent up an unclimbed peak of one of the World’s most formidable mountains accidentally awakens an ancient creature that could spell a certain end for them all.
The original screenplay by Matthew Read (Pusher, Hammer of the Gods) and Jon Croker (The Woman In Black: Angel of Death, Desert Dancer) will put a modern twist on the 1957 iconic original film from Hammer’s extensive canon of work. The project marks a continuation of Hammer’s ongoing campaign to maintain their heritage of producing enduring British horror films which are original, current and relevant for modern audiences, following on from The Woman in Black which became the most successful British horror film of all time.
Simon Oakes said of the project: "The success of Let Me In and The Woman In Black has shown that there is an appetite for quality horror films so it is exciting to draw on Hammer’s unparalleled source material in this genre which can be reimagined and updated for a new audience”.
Ben Holden is currently collaborating with Hammer on The Woman in Black: Angel of Death, which is in production in the UK now.