Hammer movies were always known not just for their classic (mainly) horror output, but also for their buxom beauties. From their first coloured productions onwards female eye candy was as important to their films as classically trained male actors and Gothic mood and set pieces.
The Vampire Lovers, however, was the first time that they fully took advantage of a more relaxed censor’s code with regards to presenting nudity and created an erotic horror classic and the first part of a new trilogy based on Sheridan Le Fanu’s novel Carmilla. (The two other movies of the series were Lust for a Vampire and Twins of Evil. Captain Kronos: Vampire Hunter also contains a throwaway line about the Karnstein clan.)
Ingrid Pitt as Carmilla (or Mircalla, Marcilla or whatever else she calls herself here) is a very convincing lesbian vampire with a hint of world weary Eastern Europe ennui about her. Her strong accent has never been used better than in this production and makes you wonder why on Earth she was dubbed for her next performance as Countess Dracula. Her character is awaiting invitations into noble men’s houses, just to subsequently seduce and quench her blood lust on their daughters and housemaids (Pippa Steele, Madeline Smith, Kate O’Mara) who are all only too willing to indulge in some Sapphic tête-à-têtes. She is able to walk by day, yet prefers staying in the shadows and goes into rambling hysterics when confronted with the funeral of a girl she killed.
Peter Cushing, Ferdy Mayne and Douglas Wilmer are the vampire fighters and as such the representatives of Hammer’s stern old men club who this time round play supporting parts to the female leads. In earlier movies this constellation would have been reversed. These gentlemen are joined by a young and up and coming Jon Finch.
Also watch out for Kirsten Lindholm as the first Vampire. She would subsequently be the only actress to appear in all three Karnstein movies, though only ever in minute bit parts. Other memorable roles are played by Dawn Addams as Carmilla’s mother, The Countess, and John Forbes-Robertson as the mysterious Man in Black.
THE LOST CONTINENT (Michael Carreras, 1968) - This may be the most aptly named Hammer creation since the titular continent is so lost it never appears in the film! Michael Carreras’ clumsy directi...
5 days ago