So I got a confession to make.
I am the one person in the whole wide world who didn't take to Let the Right One In. I started watching it a good while back when it first came out but switched it off after half an hour as I was bored to pieces. When I mentioned this to a bunch of my movie buddies everyone kept telling me to give this another shot as this was a slow burner but that it was definitely going to be rewarding and that I would totally dig it.
So I did. And was still bored to pieces. This may be slow but it sure wasn't anything like a burner for me.
Nothing ever seemed to happen in this Swedish production. The most horrific thing about it was the way that everyone insisted on wearing their jumpers inside their trousers. What's with that?
I personally didn't find any of the characters involving whatsoever. Yes, in US teen movies they end up doing things they shouldn't do but that was the same here: Noone acted in any way realistic. Seriously, why didn't anyone call the cops? Why didn't anyone chase after the kid when the woman was attacked or properly scream for help? Everyone just acted as if they were on valium.
I started reading up about the source novel and was stunned how much was left out. It appears as if anything that could have made this movie magnificent was dropped and only the least offensive aspects were transferred to screen.
As such I was genuinely excited to hear in interviews with the New Hammer folks that their latest movie Let Me In was not going to be a remake of the Swedish movie but a new adaptation of the book and that the rights for the English language film had been obtained before Let the Right One In had become a huge success everywhere. If Hammer was going to choose to focus on aspects of the novel that were left out of the Swedish original they could very well create a fantastic movie and a "remake" that could easily surpass the original.
So now the trailer is out. And what have we got?
Scenes upon scenes of shots that look as if they were taken directly from the Swedish movie!
OK, I know this is barely more than a minute of material to judge the film by but there is absolutely nothing in it that says that the makers will go new ways and look at the novel in a different way. All indications point towards a straight forward remake of a successful foreign language film.
Needless to say my expectations have crashed and burnt (and not in a slow way).
Let Me Out!
HELL IS A CITY (Val Guest, 1960) - A loyal cop’s impotent marriage yet strident morality is juxtaposed with a psychotic criminal’s divorce from prison: two men, each alone, who haunt the n...
2 months ago